In an interview with ETMEAAD, Reza Sadeghi admits that his songs weren’t stolen as previously claimed but leaked through his friends whom he had trusted with the songs. It’s my own fault he says. But those songs were mere “ridiculous” demos of songs which will be great surprises for the listeners, just like “Vaaysaa Donyaa” was. However it will not repeat that album in any way, Sadeghi points out. He also says that the rap segments heard on the demos didn’t belong there but was meant to prove to some friends that even rap goes well with his music. Unfortunately that particular demo was stolen by this stranger from my hard-drive (huh?! It seems like Mr. Sadeghi cant make up his mind whether his songs were stolen or given to friends who later leaked them!). I have nothing against the rap as a genre he says, I even like Hichkas’ rap and meaningful lyrics however it is beyond my personal capacity to rap in my songs. The song of mine which Yas covered and rapped to was with my permission, he met and asked me in the airport once and I liked his decent approach. The leaked Arabic demo was my attempt to try new lingual waters, Sadeghi explains, since I speak Arabic fluently it was the chosen language for the experiment. Regarding Sirvan’s latest accusations Sadeghi says that even though he acted young and reckless in the media he is still determined to give him full credit for all his efforts. In the new album I have actually learned from the last album’s lesson of success and given more and more songs for others to arrange, he says. Arrangers like M. R. Cheraghali and Mehdi Zanganeh. The better work they produce the better I have to preform to keep up, that’s motivation for me Sadeghi adds. One of my biggest fears, after previous failures, is to remake my older songs on the legal albums. Other arrangers makes this easier for me. Sadeghi says that usually when you ask arrangers to pay attention and consideration to certain things in a song they get offended (Sirvan?), but my new team are all working together with me and not on their own! I have also chosen to open the album with a ballad this time so that people wont think that since my one time TRANCE opener succeeded I’ll make it a tradition, he says. I will have more TRANCE on the new album though, some with even more personal relevance than my ballads Sadeghi makes clear. Other than that this is my most organic and orchestral album til’ date. I am now 30 years old and reached a point in my career where I should be used as a musical reference for other artists and fans, therefor I have to establish my legacy with more responsibility.
Sadeghi further explains that he doesnt care what image or packaging is used for the album as long as its cheap and can be sold on the market. He doesnt intend to shoot any more video-clips either, but he thanks all those who create clips for his songs on youtube. But please don’t upload our music for download, he begs, at least not before a few months after the release. You do us a favor to promote our music, just give us a chance to sell first! Sadeghi claims he only intends to do professional music for another three years before retiring, unless he finds a drive that gets him going til’ he’s ninety (there comes the lifeline!). These years I intend to use to create my signature and establish my legacy, not any irrelevant video making. So far I have 200 or 300 songs written, Sadeghi claims. About his experiences with IRIB so far he regrets that it has been negative, none of the songs made for TV has been properly credited so I would think twice before engaging a next time.
Sadeghi has in a few months older interview openly dissed Sasy Mankan as a decadent individual and a sorry excuse for a singer! Lately however he refers to him as “Chichi Jaankan”! The interviewer asks him why he dislikes Sasy so much and Sadeghi replies that he doesn’t dislike him as a person but rather the cultural deviation he stands for. The arrangements are admittedly good but with an ancient and refined culture like ours with great classic and modern poets why must he sing “del o bluetooth kon .. (bluetooth your heart)”? I will never let my family listen to this nonsense, its an insult to the listeners’ intelligence, Sadeghi cries out! People might enjoy it but its because they don’t know any better! This is what happens when our youth don’t have proper musical references (pay attention that he has previously in the interview nominated himself as one!). For example I told my stylist and album designer that I will never get fashionable nor make my hair spiky! Everywhere in the world people with little clothes, earrings and soul-patches are considered abnormal but here they are considered modern (eh, let me get this straight …so its normal to make a fashion statement by dressing always in black and make your entire band dress like you but not to be fashionable? Its alright to be a grown-up man with a ponytail but spiky hair is decadent? You are old enough to recall that 20 years ago they would have shaved it off for you right there on the street as abnormally feminine!!), Sadeghi complains.

Is it just me or are these two like peas in a pod?lol I have to say that I seldom comment within the interview, but lately the amount of self-righteous comments from artists inside the country is just making it impossible for me! There is only so much hypocrisy and pretentiousness I can take!!